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dc.contributor.authorSchauer, Sophie
dc.contributor.authorBertocci, Stefano
dc.contributor.authorCioli, Federico
dc.contributor.authorSieck, Jürgen
dc.contributor.authorShakhovska, Natalya
dc.contributor.authorVovk, Olena
dc.date.accessioned2022-04-02T17:06:28Z
dc.date.available2022-04-02T17:06:28Z
dc.date.issued2022
dc.identifier.issn2196-6826
dc.identifier.urihttp://dl.gi.de/handle/20.500.12116/38583
dc.description.abstractThis paper presents the progress implemented during the AURA project, funded by the Creative-Europe program with project partners from Germany, Italy, and Ukraine. The project aims to create auralized applications for three music venues in each of the project countries, namely the Konzerthaus Berlin, the Teatro del Maggio in Florence, and the Opera House Lviv. Each will be digitally recreated and auralized before they are then used to conduct case studies. This paper gives insights into current digitalization and auralization techniques. The results of a digital survey will be laid out and the conception and implementation of a first auralized prototype using a hand-modeled 3D object from the Great Hall of the Konzerthaus Berlin will be demonstrated. Furthermore, the usage of auralization for touristic purposes will be investigated using artificial intelligence for an audience preference analysis. A conclusion will be drawn and a short outlook into the ongoing course of the AURA project will be given.en
dc.language.isoen
dc.publisherDe Gruyter
dc.relation.ispartofi-com: Vol. 21, No. 1
dc.subjectauralization
dc.subject3D modeling
dc.subjectspatial audio
dc.subjectdigitalization
dc.titleAuralization of Concert Halls for Touristic Purposesen
dc.typeText/Journal Article
dc.pubPlaceBerlin
mci.reference.pages95-107
dc.identifier.doi10.1515/icom-2022-0008


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