O-TONE: Interactive Sound Experience for Audiences in Sound Installations
| dc.contributor.author | Gupfinger, Reinhard | |
| dc.contributor.editor | Kain, Saskia | de_DE |
| dc.contributor.editor | Struve, Doreen | de_DE |
| dc.contributor.editor | Wandke, Hartmut | de_DE |
| dc.date.accessioned | 2017-11-22T14:45:09Z | |
| dc.date.available | 2017-11-22T14:45:09Z | |
| dc.date.issued | 2009 | |
| dc.description.abstract | Designing interactive instruments for audiences in sound installations can be quite challenging. The instruments have to be simple and should offer highest creative freedom. This article introduces an interactive sound instrument that follows playful strategies of interaction with sound environments and generating new sound experience for everybody. | de_DE |
| dc.identifier.isbn | 978-3-8325-2181-3 | en_US |
| dc.identifier.uri | https://dl.gi.de/handle/20.500.12116/7144 | |
| dc.language.iso | en | de_DE |
| dc.publisher | Logos Verlag | de_DE |
| dc.relation.ispartof | Workshop-Proceedings der Tagung Mensch & Computer 2009 | de_DE |
| dc.title | O-TONE: Interactive Sound Experience for Audiences in Sound Installations | de_DE |
| dc.type | Text/Conference Paper | de_DE |
| gi.citation.endPage | 190 | |
| gi.citation.publisherPlace | Berlin | de_DE |
| gi.citation.startPage | 189 | de_DE |
| gi.conference.sessiontitle | Innovative Computerbasierte Musikinterfaces (ICMI) | de_DE |
| gi.document.quality | digidoc | de_DE |
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