Der Hexenkessel: Ein intermediales Hybridinstrument
| dc.contributor.author | Sello, Jacob T. | de_DE |
| dc.contributor.editor | Weisbecker, Anette | de_DE |
| dc.contributor.editor | Burmester, Michael | de_DE |
| dc.contributor.editor | Schmidt, Albrecht | de_DE |
| dc.date.accessioned | 2017-11-22T15:06:56Z | |
| dc.date.available | 2017-11-22T15:06:56Z | |
| dc.date.issued | 2015 | |
| dc.identifier.isbn | 978-3-11-044390-5 | de_DE |
| dc.identifier.uri | https://dl.gi.de/handle/20.500.12116/8131 | |
| dc.publisher | De Gruyter Oldenbourg | de_DE |
| dc.relation.ispartof | Mensch und Computer 2015 – Workshopband | de_DE |
| dc.relation.ispartofseries | Mensch & Computer | de_DE |
| dc.subject | Interaktion | de_DE |
| dc.subject | Musik | de_DE |
| dc.subject | Sound | de_DE |
| dc.title | Der Hexenkessel: Ein intermediales Hybridinstrument | de_DE |
| dc.type | Text/Conference Paper | de_DE |
| gi.citation.endPage | 337 | |
| gi.citation.publisherPlace | Berlin | de_DE |
| gi.citation.startPage | 331 | de_DE |
| gi.conference.sessiontitle | Innovative Computerbasierte Musikinterfaces (ICMI) | de_DE |
| gi.document.quality | digidoc | de_DE |
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