Lacroix, MathieuMarky, KarolaGrünefeld, UweKosch, Thomas2022-08-302022-08-302022https://dl.gi.de/handle/20.500.12116/39065In mixed music, interactivity and liveness have been buzzwords for the last 50 years. This article proposes the community to discuss more the aesthetic influences of interactivity instead of focusing on the technological aspect. By discussing compositions in a more holistic manner, this author believes that we can gain a better understanding of the affordances of interaction.enMixed musiclive electronicscompositionText/Workshop Paper10.18420/muc2022-mci-ws03-342